HALESTORM Is '70' Or '80 Percent' Done Making New Album: 'We're Excited About It'

In a new interview with PK of Louisville, Kentucky's ALT 105.1 radio station, HALESTORM frontwoman Lzzy Hale spoke about the progress of the recording sessions for the band's follow-up to 2022's "Back From The Dead" album. Lzzy said (as transcribed by BLABBERMOUTH.NET): "We've had three separate sessions in the studio with — we're making a record with [producer] Dave Cobb. And he's actually a huge closet metal fan, and so he's really excited. And so we're making this great music, but we're constantly touring. So we've had, like, three different sessions in the studio. We're probably — what? — 70, 80, maybe, percent there. We have a studio in our house and so I'm doing a lot of the finishing touches on vocals and sewing everything up, doing solos and all that. And then we get back in in December to just say, 'Okay, this is good.' And then, yeah. And then there we are. So we're excited about it. We really are."

Cobb has shared in nine Grammy wins, including four for "Best Americana Album" and three for "Best Country Album". He's also been named "Producer Of The Year" by the Country Music Awards, the Americana Music Association (twice) and the Music Row Awards, and has been a Grammy nominee in the category.

Lzzy previously talked about working with Cobb earlier this month in an interview with "The Morning After With Nic & Big J" on the 100.3 The X Rocks radio station. She said: "It's been a really crazy whirlwind making [the new album]. We ended up going in with Dave Cobb, the producer. And it's something completely different than what we've ever had. We literally rolled in with all of our baggage, all of our songs, our riffs, the whole thing, and he's, like, 'No, we're not gonna do any of that. We're just gonna start.' And I'm, like, 'What? There's no plan? What's happening.' And it's kind of beautiful 'cause all of us are very ADHD, and we're locked together in this house in Savannah, Georgia, which, if you've ever been to Savannah, Georgia, there's no scene. It's a spooky historic town with a lot of Spanish moss. And we're locked — literally I'm saying locked, because we locked the doors — we're locked in this house full of every piece of equipment you could ever need. It's all set up. The board is there — everything — and we're all unsupervised. Which I can't tell you the last time that has happened making an album — probably since the first record, [when] we were all living in an apartment together. So, all of our inner children are screaming and we're all just getting into the sandbox and playing, 'Hey, I brought some LEGOs. You brought a rocket. Let's see if we can get it to space.' And so all of this stuff has really been coming together in such a weird and organic way, to the point that it's very much peeling back the onion of what is HALESTORM.

"My brother [HALESTORM drummer Arejay Hale] and I have had many moments while making this record where we look at each other and we're, like, 'This reminds me of when we were 14.' It's just wild," Lzzy added. "So, I'm very excited for everyone to hear it and I'm excited for it to be done. And so hopefully we wrap it up in December and get get it the hell out — out of my house. [Laughs]"

Elaborating on the songwriting process this time around and how it was different to some of HALESTORM's previous records, Lzzy said: "I think that the big lesson in the front of the race here that has been answered is that usually the weirdest ideas are the best. And sometimes it's the things that you don't think are very good that everyone collectively is, like, 'No, that's actually great.' And I think that that's been the beautiful thing is that the four of us, even though… I mean, my brother's 37 — he's the young gun, but we're all in our early forties — and we've been doing this a long time together. And so to have that kind of reconnection to who you are as people and as friends and really having that kind of come out in the music and it not be this kind of assembly line, like, 'Okay, Lzzy wrote 12 songs. We all really like 'em. Let's record 'em.' Or, 'Hey, we have this collection. And we have a month to be in the studio. Let's just go and bang it out.' We've really kind of taken the time to really let the music tell us what to do and honestly let our weird brains tell us what to do, because we're all terrible adults [laughs], and I think that we were never meant to be. So it's been nice to just kind of have the freedom to do whatever the hell we want and then worry about the consequences later. [Laughs]"

This past July, Arejay was asked by The VORTX Podcast with host Ethan Jackson about HALESTORM's decision to work with Cobb this time around. Arejay said: "It's always good for a band to, if you want your sound to evolve, bring in some fresh minds into it. And the cool thing about Dave is that he's a total hard rock and metalhead at heart. A lot of his most successful projects have been a lot of country, a lot of alternative — I mean, he's all over the spectrum — so when works with us, you can tell… There's a really great mutual respect between [us], 'cause we've been doing this long enough and he's been doing it for so long. We've been a huge fan of his as well, so there's a lot of mutual respect between the two of us, and you can feel it in the room."

Asked if he and his HALESTORM bandmates set a date for themselves for when they want to be done with a record, Arejay said: "It used to be a lot more stringent in the early days. 'Cause when you're trying to get the band off the ground, you really wanna kind of keep that momentum going. But our last couple of records have been a little bit more laid back, which is nice. It kind of gives it room to breathe. It gives us time to like really assess where we wanna go. And definitely COVID changed everything."

On the topic of whether the HALESTORM members do more work remotely now or if they still all get together in the studio and collaborate on ideas in one room, Arejay said: "Oh, it's so much more effective for us to be in the same room. I think it kind of forces you to just… I guess we work well under pressure, 'cause, going back to your last question… We definitely feel the pressure to get the album out at a certain time, but what really cranks up the pressure is the fact that we're leaving Nashville and going to Savannah for only a set period of time, 'cause Dave [only has certain] windows [of availability]. And it really forces us to just dig into your gut and just pull things out. And when we're all together in the room and Joe [Hottinger, HALESTORM guitarist] starts playing around with the riff and I start jamming with them, things just come out, things just happen. There's a magic there."

In June, Lzzy told Decker of the rock station Razor 94.7/104.7 (WZOR) that she and her HALESTORM bandmates initially "got a lot of pushback" from their team about the prospect of working with Cobb. She recalled: "We were saying, 'Oh, wouldn't it be cool to do a record with Dave Cobb? Because that would be something that nobody would really expect from us. And I bet you he would come up with some crazy ideas. Don't know the guy, but let's figure it out.' And everybody on our team was, like, 'No, no, he's too busy. That's not you. He's got this stuff going. He's got, like, nine Grammys with Chris Stapleton. That's not your scene.' And so we kept pushing back. We're, like, 'No, no, no. Just ask him. Just ask him. We can handle rejection, but just ask him.' And so finally, our A&R guy at our label is, like, 'Fine, I'll reach out. Whatever. Just stop bugging me.' And so he reached out, and then he called me, like, the next day. He's, like, 'Hey, I heard back from Dave Cobb. And guess what? Not only does he absolutely know who you are, but he's been wanting to make a record with you for, like, seven years. And he has a plan already of how he wants to do it.' And we're, like, 'What? This is sick.' So anyway, we went to go test the waters, and we go into the studio. And look, I write every day. When I die, there's gonna be so much that everyone has to sift through, just gibberish songs, all that. So I always have, like, a bank with me, like, 'Here's riffs, here's songs, here's subject titles, here's poetry.' And he was, like, 'No, no, no. We're not gonna do anything that you already have. Nothing.' I'm, like, 'Uh. What?' And he's, like, 'No, we're just gonna start.' Everyone's sitting in a circle and we're, like, gonna kumbaya. So everyone got an instrument, like, 'All right. So what are we feeling today?' I'm, like, 'Is this a therapy session?' And we ended up — it's crazy, 'cause then we'll like grab on to something 'cause of that pressure of, like, 'Well, I was thinking about this as this is happening.' 'Cool. Let's go there.' And so he has this amazing instincts that are very, like, you can't see it when you're in it. And then, as soon as we start like putting stuff together, we kind of zoom out and, like, 'Oh, wait a minute. This is so wild and awesome and exactly what we do.' So it's very strange. But we're all very free. And then the other thing is that while we're writing it, we're recording it at the same time. So these tracks are, like, us discovering the song for the first time as well as we're performing them. There are some things that we're performing them all at the same time. There's one track in particular that we completely forgot to put the click track on, and we did like three takes like that, and then we're, like, 'Oh, wait. We don't even have a click going.' Arejay said something, like, 'Were we supposed to have like a click track so we all are on time together?' And everyone's, like, 'We didn't even notice it was gone.' And so we did another take with the click. We're, like, 'No, we like that other one better.' So there's stuff like that. A lot of weird surprises. There's a lot of space. And we're really excited because we're not going country or anything like that, or Americana. This is such a new — it's got so much teeth, and it's so different than what we just did with 'Back From The Dead', but in this almost weightier, heavier way. And the lyrics are — I'm tackling subjects I've never tackled before because I'm having the freedom to do so. So I'm very excited."

HALESTORM and I PREVAIL recently embarked on summer 2024 co-headlining tour. Produced by Live Nation, the trek kicked off on July 9 in Raleigh and ran through August 17 in Las Vegas. HOLLYWOOD UNDEAD and FIT FOR A KING served as support. The tour was also the catalyst and the creative spark for HALESTORM and I PREVAIL's collaborative track "Can U See Me In The Dark?", which was released in June.

"Back From The Dead" has tallied over 100 million streams worldwide. Rolling Stone called the title track "a biting but cathartic howler about overcoming all obstacles," and that song as well as "The Steeple" marked their fifth and sixth number ones at rock radio, respectively. Associated Press said the album "will definitely be in the running for best hard rock/metal album of the year." Their previous album, "Vicious", earned the band their second Grammy nomination, for "Best Hard Rock Performance" for the song "Uncomfortable", the band's fourth #1 at rock radio, and led Loudwire to name HALESTORM "Rock Artist Of The Decade" in 2019.

Fronted by Lzzy with Arejay, guitarist Joe Hottinger and bass player Josh Smith, HALESTORM's music has earned multiple platinum and gold certifications from the RIAA, and the band has earned a reputation as a powerful live music force, headlining sold-out shows and topping festival bills around the world, and sharing the stage with icons including HEAVEN & HELL, Alice Cooper, Joan Jett and JUDAS PRIEST. Additionally, Lzzy was named the first female brand ambassador for Gibson and served as host of AXS TV's "A Year In Music".